Looking for a completely different way to make a drawing? How about making your drawing directly on public art? (video)
Let’s start with one of the most famous public artworks in Chicago. The Picasso. This hefty icon stands 50-feet tall, weighs 162 tons. A quirky figure that can interpreted in many ways: a woman, a baboon, an Afghan dog, the head of a horse, butterfly wings, a flying nun, a vulture, or Ollie the dragon.
Wikipedia describes the sculpture this way:
The Cubist sculpture by Picasso was the first such major public artwork in Downtown Chicago, and has become a well-known landmark. Publicly accessible, it is known for its inviting jungle gym-like characteristics. Visitors to Daley Plaza can often be seen climbing on and sliding down the base of the sculpture.
The drawing experiment
During my daily walks across the Picasso, I came up with a fun little drawing experiment. Use the Picasso’s base as a surface to draw upon. You can draw on the flat surface of the Picasso and pick up the texture of steel base. But more importantly, you can draw on the very edge of the base. Position your paper over the edge the base, rub your pencil along the edge. You’ll get a line. Essentially, a pencil rubbing of the edge.
What a fun way to make a line drawing! Picasso helps you make line drawings!
But wait. It doesn’t stop there. For shading just put the paper on the surface of the Picasso, and shade in. The core-ten steel has a texture that shows up on the paper.
My cousin Peter has a notebook that he passes along to people, asking each person to write or draw something creative in the book. In his notebook is the the first time I tried this Picasso pencil rubbing method.
Here’s a video of the drawing being made.
Get yourself a nice graphite stick. I like to carry mine around in this cardboard box. If you buy multiple sticks from the art store Blick, often the cashier will package them into a nice little box like this. My box has a mix of various hardness and softness levels. 6B is very soft. 2B is what you find in regular pencils.
It was so much fun! Also a little challenging since a book has a spine that makes it hard to position book’s page along the edge of the thick base.
I’ll admit, it’s not the best drawing in the world. The temperatures that day in March were just above freezing. Doing a drawing directly on freezing-cold steel proved to be a little bit of a challenge. I worked quickly. Plus, I was having lunch next day with Peter to give him back the notebook. My time limitation was just to one lunch period. But bonus points for creativity, right?
This Moleskine notebook from Peter is all about capturing people’s thoughts and creativity. Notebooks are about being in the moment, writing on physical paper in a real place.
The conceptual weight of pencil rubbings as a medium
Pencil rubbings dovetail with being in the moment. Pencil rubbings capture the very location of where you are. They are touch-to-touch rendering of the physical surfaces and textures.
Pencil rubbing is such an intimate way of capturing a place you’ve visited. We all can take photos, which is great. But pencil rubbings get you right on top of the location. You are constantly touching and interacting with environment. To the point of capturing a literal carbon copy of the surface. Your take-away is an intimate experience with that particular spot.From my blog post, “I did a five-foot wide pencil rubbing on my last day in the Tribune Tower“
Thus, it’s fitting that I would do a pencil rubbing inside Peter’s notebook. This spread in the notebook now captures a moment of urban life through a hefty Chicago icon.
One of these days I’ll make more drawings along the edge of the Picasso. I’m excited to see how they turn out when I’m not limited by the spine of a book. Once the COVID-19 virus is done spreading around, I’m looking forward to visiting one of my favorite spots in Chicago, the Picasso.