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When a one-inch King Kong becomes a behemoth

When Dictionary.com featured “behemoth” as their Word of the Day, something unexpected happened in my Google Photos. Among the search results for “behemoth” appeared a tiny figure from my past – a one-inch tall King Kong, wearing what looks like a bronze patina but is actually just well-worn plastic.

A macro photograph of a small King Kong figure, measuring approximately one inch in height. The figure, cast in a dark plastic It looks like it's bronze or a similar alloy, as evidenced by the greenish patina visible in its crevices. But it's actually just plastic. The surface of the figure shows signs of wear, particularly on its raised areas, where the sheen has become more pronounced due to handling or polishing over time.

The sculptural details are focused on conveying the muscular structure and primal ferocity of the character. The head is prominently featured, with a pronounced brow ridge that casts a shadow over the small, rounded eyes. The nose and mouth are sculpted with subtlety, the lips slightly pursed, giving the figure an intense expression. The shoulders and chest dominate the composition, emphasizing King Kong's formidable strength. The musculature is exaggerated, with deeply incised lines accentuating the pectorals and deltoids.

The figure's right arm is raised in what appears to be a gesture of power or defiance, while the left arm is less visible in this close-up. The textured surface of the figure adds depth and realism, creating the impression of fur without explicitly sculpting each strand. The light source, positioned to the left of the frame, highlights the contours and adds dramatic contrast, enhancing the three-dimensional quality of the figure.

Overall, this miniature King Kong figure combines artistic craftsmanship with detailed anatomy, capturing the essence of the iconic character in a compact, tactile form. The close-up perspective, coupled with the shallow depth of field, draws attention to the intricacies of the sculpture while allowing for an abstracted appreciation of its textures and proportions.

The irony wasn’t lost on me. Here was King Kong, the legendary monster who scaled the Empire State Building, reduced to pocket size. But back in 2011, I gave this miniature monarch his own architectural conquest: the Wrigley Building in Chicago.

King Kong beat his chest. The master of the Wrigley Building. All the Wrigley Company employees got scared by King Kong. Now they are moving out of the building. King Kong wins.

Armed with just my camera and this tiny figure, I created the illusion of Kong scaling Chicago’s architectural icon. I even climbed onto one of the windows to position him higher — though perhaps I shouldn’t admit to that part (YouTube video). Through the magic of perspective, our one-inch hero transformed into the behemoth he was meant to be, beating his chest victoriously atop one of Chicago’s most recognizable landmarks.

What makes this rediscovery even more amusing is Google Photos’ interpretation of “behemoth.” Among the search results were several photos of Ewoks – those tiny furry warriors from Star Wars. It seems the AI has a sense of irony, connecting these diminutive characters to a word that means “anything of monstrous size or power.”

King Kong beat his chest. The master of the Wrigley Building. All the Wrigley Company employees got scared by King Kong. Now they are moving out of the building. King Kong wins.
A detailed action figure of Wicket W. Warrick, a prominent Ewok character from the Star Wars franchise. The figure is part of Hasbro's "Star Wars The Black Series" line and is a 6-inch scale representation of the character as seen in the film "Return of the Jedi."

The figure is positioned on a carpeted floor, with a blurred background of an indoor setting. The lighting is artificial, casting warm, diffused light that highlights the figure's features. The figure itself is meticulously sculpted with accurate details, including the Ewok's distinctive fur, facial features, and clothing. The brown hooded cloak and the Ewok's characteristic bandolier are clearly visible.

The figure's pose is dynamic, with the Ewok standing upright and looking towards the camera. The arms are slightly bent at the elbows, giving the impression of movement and engagement. The figure's overall aesthetic is consistent with the "Star Wars The Black Series" line, known for its high level of detail and articulation.

The photograph also provides context, as the figure is placed on the carpeted floor of the St. Petronille's Parish Life Center in Glen Ellyn, IL. This detail adds a layer of real-world reference to the image.

Overall, the photograph presents a visually appealing and informative depiction of the Wicket W. Warrick action figure.

The original tiny King Kong no longer sits in my collection, as I left him on the Wrigley Building. But the photos serve a reminder that sometimes the biggest stories come in the smallest packages. And while he may not have sent the Wrigley Building’s employees running in terror (as my 2011 story dramatically claimed), he did manage to make his mark on Chicago’s skyline – even if only in photographs.

This post was inspired by Dictionary.com’s Word of the Day “behemoth” (January 23, 2025) and a Google Photos search that reminded me that size is all about perspective.

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